Kanuti Gildi SAAL Biennaal

SAAL Biennaal is a two-week-long international performing arts festival that takes place 15. – 27. August in Tallinn. SAAL Biennaal is also the predecessor of Tallinn’s oldest contemporary dance festival August DanceFestival.

SAAL Biennaal is a possibility not only to see and experience, but also to co-create space and time via 12 and more meetings with artists and their works without a precedent guarantee goal. A chance to notice details that we otherwise would not notice or tend to ignore. Try out something we would not do otherwise. To look beyond the obvious, whether this creates space for something new to appear?

SAAL Biennaal will be present in Kanuti Gildi SAAL, Von Krahl Theatre and Vaba Lava, but also behind Linnahall, in Tallinn University Academy Library, in the basement at MIMStuudio, in the lecture rooms of Estonian Art Academy and in the hall of OMAtsirkus. There are performances that happen at usual time and venues, but also events that take place in the backrooms of a trendy soap shop that has suddenly appeared in Old Town (Julian Hetzel “Schuldfabrik”) or that take real form via the activities executed by the spectator itself at a table in the reading room of a library (Ant Hampton, Tim Etchells “The Quiet Volume”) or events where the stage is filled with physical and virtual trash (Sarah Vanhee “OBLIVION”) or where the performative event itself is hidden into graves (Tania El Khoury “Gardens Speak”) or that last through the whole night from dusk till dawn (Mårten Spångberg “Natten”).

In addition to experiencing the works of these artists it is also time to discuss on the topics theatre / wakefulness within the event series of shared thoughts organized in collaboration with Estonian Theatre Agency – if and how are we ready for this reality that is already normalized around us? It is also time to flick through POST-DANCE book, a publication that holds a possibility to imagine the unimaginable or to have in your hands some brand new publications!

SAAL Biennial as a mosaic reflection of ourselves – how to understand that if there are no instructions? What is it, that you take along from a performance, where by following instructions you become from a passive onlooker an active participant? What kind of experience you gain from the performance, where your rational mind retreats before other senses? Could we be more than the borders of our body ordain, how do we manage with the borders?